NEW YORK — “Smash” has made a triumphant return, akin to a peanut-infused smoothie or an aerial martini. Initially met with disappointment and eventually canceled after two maligned seasons in 2012, NBC’s dramatic look behind the scenes of a theatrical production has been resurrected in a new form as an eccentric Broadway musical. Premiering at the Imperial Theatre on April 10, the show, directed energetically by Susan Stroman (“The Producers”), blends sharp showbiz satire with dazzling song-and-dance numbers overseen by the original choreographer of the TV series, Joshua Bergasse. Centered around actress Ivy Lynn (played by Robyn Hurder) channeling her inner Marilyn Monroe with extreme dedication, the show delves into the chaotic journey of the fictional bio-musical “Bombshell,” pushing it to the edge of collapse.
Joining avid “Smash” enthusiasts Patrick Ryan and Anna Kaufman from USA TODAY, the duo dissects this wildly unpredictable yet clever theatrical adaptation, from its abundance of scarves to the iconic “Let Me Be Your Star.”
Ryan: Anna, when were you first introduced to “Smash”?
Kaufman: I stumbled upon “Smash” as a young teenager and was immediately captivated. Without access to cable TV, I pieced together episodes on YouTube, mesmerized by the dance sequences, the allure of New York City, and the portrayal of the cutthroat world of musical theater as a realm of fractured relationships and grudges. In my youth, I missed the campy undertones and embraced the show earnestly. Over the years, I’ve come to appreciate its cringeworthy charm, yet my adoration for the music endures. How about you?
Ryan: My introduction to “Smash” came during a feverish binge-watching session with my partner at the onset of the COVID lockdown, and I revisited it this year in anticipation of the stage adaptation. Admittedly, the show spends too much time on Debra Messing’s character’s family dynamics (we get it, Leo!), and Season 2 veers into a tangent with Pasek and Paul embodying Jonathan Larson. Nevertheless, I adore its absurdity. Where else could you find both Nikki Blonsky and Cole Escola? Or witness Megan Hilty leading a Rihanna sing-along in Times Square while clad in an angel costume and under the influence? The stage version has big shoes to fill in terms of sheer lunacy.
Tony nominee Robyn Hurder (“A Beautiful Noise,” “Moulin Rouge!”) takes on the lead in the Broadway rendition of “Smash.”
Kaufman: I approached the musical with tempered expectations, allowing myself to be pleasantly surprised. The powerhouse ballads that anchored the TV series translated magnificently on stage, complemented by the visually stunning dance numbers crafted by Alejo Vietti. As a devoted “Don’t Forget Me” enthusiast, I
Nielsen’s portrayal of a witch in the musical had me in stitches, surpassing even the performances of Hilty and Jennifer Simard in “Death Becomes Her.” Brooks Ashmanskas’ comedic timing as Nigel was a delight, adding a new level of humor that the TV show lacked. Beowulf Boritt’s scenic design successfully translated the grandeur of a TV series to the stage. Bella Coppola’s rendition of “Let Me Be Your Star” was just one of the highlights of the musical. Hurder’s talent as a triple threat shone through in every performance, leaving me in awe of her skills. While the music and comedy excelled, some plot details felt lacking, with loose ends and underdeveloped subplots. Karen’s character felt one-dimensional, missing the depth she had in the TV show. Despite a slightly drawn-out second act and Ivy’s delusions, “Smash” captures the energy of musical comedy flawlessly. Overall, it’s a soft recommend, especially for theater enthusiasts and Broadway fans. Don’t miss “Smash” at the Imperial Theatre for a love letter to the magic of Broadway.
