Almost four decades ago, the iconic charity single “We Are the World,” spearheaded by Michael Jackson and Lionel Richie under the banner of USA for Africa, was released to the public. Since then, this star-studded project has raised a remarkable $80 million for Ethiopian famine relief and various humanitarian efforts. However, amidst the success and goodwill generated by the song, a different narrative emerged — a significant and enduring image of Bob Dylan looking visibly disheartened during the recording session.
The widely circulated image of Dylan’s apparent discomfort has become a cornerstone of internet memes, symbolizing a universal sense of existential unease. It resonates with viewers as a relatable portrayal of feeling out of place, insecure, and bewildered, embodying moments when one is unsure of expectations and weary of uncertainties. This unexpected display of vulnerability from Dylan, a figure not commonly associated with relatability, captured the imagination of many.
In a recent 2022 interview with The Hollywood Reporter while promoting the Netflix documentary “The Greatest Night in Pop,” Richie, the co-writer of the song, shed light on Dylan’s emotional state during the historic 1985 recording. Richie disclosed that Dylan was struggling with a nervous breakdown, offering insight into why the collaborative session, featuring over 40 music icons like Ray Charles, Tina Turner, and Bruce Springsteen, was particularly challenging for the legendary artist.
This revelation prompts a deeper exploration into Dylan’s perspective on that fateful day, raising questions about his decision to participate in an event that showcased his discomfort. While his earlier career had been marked by a rebellious and independent spirit, Dylan’s involvement in the charitable initiative reflected a new phase in his musical journey. Despite his reservations, Dylan recognized the significance of using his platform to support a noble cause, aligning himself with the mainstream philanthropy that his earlier work had helped establish.
The backdrop of the session reveals a conflicted Dylan, navigating a changing music landscape and seeking relevance in a shifting industry. Despite his reservations about the message of the song, Dylan’s presence at “We Are the World” signaled a willingness to engage with a broader audience and embrace a more commercial direction. Ultimately, his participation in the project not only contributed to a noble cause but also marked a pivotal moment in his evolving artistic trajectory.
As we delve into the complexities of that transformative recording session, the enigmatic figure of Bob Dylan emerges as a symbol of artistic integrity, navigating the intersection of fame, activism, and personal conviction in a way that continues to captivate audiences to this day.
The gathering of numerous stars in one location was a remarkable event. Following the ceremony at Los Angeles’ Shrine Auditorium, the artists traveled to A&M Studios in Hollywood for a night of intensive work. Richie, the telecast host, found himself co-hosting the session with co-writer Michael Jackson and producer Quincy Jones. Concerned about whether Bob Dylan would show up, they were surprised when he arrived early, in contrast to the expected grand entrance typical of stars of his stature. However, Dylan faced unwanted attention from other artists, including Diana Ross and Al Jarreau, while some, like Bruce Springsteen and Kim Carnes, had positive interactions with him. Dylan also found himself cornered by Willie Nelson and Huey Lewis discussing golf, to which he dismissively responded that he didn’t play the sport. As the recording began, Dylan appeared uncomfortable and isolated, swaying out of rhythm and appearing unfamiliar with the lyrics, indicating he was not enjoying the experience.
When it was time for Dylan to record his solo for Quincy Jones, it was a challenge due to the large number of singers present. Even standout vocalists like Smokey Robinson, Bette Midler, Harry Belafonte, and Lindsey Buckingham were placed in the background chorus. Being given a spotlight in such esteemed company was an honor, but for Dylan, it heightened his stress. Despite being acclaimed as the voice of his generation, his unique voice was an acquired taste. Surrounded by 40 talented singers, cameras pointed at him from all angles, and receiving guidance from charismatic figures like Lionel Richie and Quincy Jones, Dylan struggled. He timidly approached the microphone, mumbling indistinctly while focusing on the lyric sheet trembling in his hand. Encouraging voices urged him to continue, but he faltered. The moment was captured in The Greatest Night in Pop documentary, showcasing Dylan’s self-consciousness as he struggled in the studio.
Hollywood mega-agent Ken Kragen, who organized the session, recalled Dylan’s nervousness, attributing it to recording with other stars. Quincy Jones recognized the issue and cleared the studio, leaving only Stevie Wonder and Richie to support Dylan. Richie emphasized the importance of maintaining individuality in one’s voice, especially when singing short lines. Wonder, described as a “secret agent” to boost Dylan’s confidence, humorously impersonated Dylan to illustrate the desired style. The atmosphere lightened as Dylan attempted the solo once more, with Jones and Richie cheering him on. After several takes, Dylan finally delivered a satisfactory performance, though he remained critical of his own work. Despite Jones’ reassurance, Dylan insisted on redoing the recording until eventually accepting the final take. In a heartwarming moment, Dylan, known for his introspection, shared a genuine smile, showcasing a rare moment of contentment during the challenging recording session.
The initial piece about individuals
