In a remarkable display of box office prowess, the long-awaited return of everyone’s favorite rom-com heroine, Bridget Jones, has shattered records in the UK and Ireland. Universal Studios proudly announced that “Bridget Jones: Mad About the Boy,” the fourth installment featuring Renée Zellweger’s endearing yet hapless diarist character, raked in a staggering £11.8 million during its first four days in theaters after its Thursday release.
This outstanding achievement propelled the sequel to claim the title of the highest-grossing romantic comedy opening ever in the region, surpassing the previous record set by the second Bridget Jones film, “Edge of Reason,” back in 2004. Adjusted for inflation, the £10 million earnings of its predecessor pale in comparison to the resounding success of the latest chapter in Bridget’s endearing saga.
The weekend triumph of “Bridget Jones: Mad About the Boy” was further underscored by its triumph over even the mighty “Captain America: Brave New World” at the UK box office, proving that Bridget’s charm continues to captivate audiences. While American fans will have to wait for a theatrical release, the film has already made its mark in other territories, topping box office charts in countries like Poland, the Netherlands, and Norway.
Despite Bridget’s transatlantic absence from cinemas, the universal appeal of her story shines through as audiences worldwide embrace her latest adventures as a widowed single mother navigating the complexities of modern life. From juggling parenthood and career to diving back into the unpredictable world of dating, Bridget faces tough choices when caught between a younger suitor (Leo Woodall) and her son’s science teacher (Chiwetel Ejiofor).
The star-studded cast, including the return of Hugh Grant and Emma Thompson, adds to the film’s allure, drawing fans back to witness the evolution of their beloved characters. While reactions from critics vary, with some praising the film’s vulnerability and humor, others express a more critical view of its execution.
In a split of opinions, the Guardian’s Pete Bradshaw offers a mixed review, highlighting standout performances from Grant but ultimately questioning the sequel’s emotional impact. Conversely, the Independent’s Clarisse Loughrey awards high praise, commending director Michael Morris for handling Bridget’s romantic entanglements with finesse and depth.
As the narrative unfolds, audiences are invited to explore a more mature and introspective side of Bridget Jones, shedding light on her inner conflicts and growth as a character. Through laughter, tears, and heartfelt moments, “Bridget Jones: Mad About the Boy” invites viewers to rediscover the enduring charm and relatability of one of cinema’s most beloved heroines.
With its record-breaking success and enduring popularity, Bridget Jones proves once again that her story resonates deeply with audiences around the world, transc
