The glitzy halls of the Royal Festival Hall were abuzz with excitement on Sunday as the film adaptation of Robert Harris’ gripping novel, Conclave, clinched an impressive four awards at the prestigious Bafta Film Awards. The Berkshire author’s tale of a high-stakes papal election captured the hearts of audiences and critics alike, solidifying its place as a cinematic masterpiece.
Published in 2016, Conclave weaves a captivating narrative around the election of Pope Francis in 2013, drawing on Harris’ keen insights and storytelling prowess. The star-studded film, directed by the talented Edward Berger and featuring powerhouse performances by Ralph Fiennes, Stanley Tucci, John Lithgow, Sergio Castellitto, and Isabella Rossellini, brought the intricate tale to life on the silver screen in a spellbinding display of artistry.
Amid the glitz and glamour of the awards ceremony, Harris, a humble resident of West Berkshire near Hungerford, expressed his elation at the film’s success. Reflecting on his unexpected journey from author to award-winning screenwriter, Harris shared his initial disbelief at the prospect of Conclave being adapted for film, emphasizing the challenges that often accompany such transitions.
In a candid interview with BBC Radio 4’s Today, Harris recounted his pleasant surprise at the collaborative and respectful approach taken by the film’s creators, dispelling the common notion of authors being relegated to the sidelines in the filmmaking process. He highlighted the thrill of stepping out of his writerly solitude into the vibrant world of cinema, underscoring the transformative impact of seeing his work come alive on screen.
“It’s a surreal and exhilarating experience to see your words take on a new life through the lens of talented filmmakers,” mused Harris, his voice tinged with a mix of pride and wonder. “The journey from page to screen has been nothing short of extraordinary, and I am grateful for the opportunity to witness Conclave’s story resonate with audiences in this captivating form.”
When prodded about the possibility of delving into the intrigues of the Church of England in his future works, Harris shared his enduring fascination with the enigmatic rituals and rich history of the Catholic church, which served as the backdrop for Conclave’s gripping narrative. Drawing a comparison between the grandeur of the Vatican and the more subdued ambiance of Lambeth Palace, Harris highlighted the allure of the ancient traditions and clandestine dynamics that define the papal conclave.
“The Vatican exudes a certain mystique and grandeur that is unparalleled,” remarked Harris, his words laced with admiration. “The Sistine Chapel itself stands as a testament to the solemnity and secrecy that shroud the election of a pope, evoking a sense of intrigue akin to an Agatha Christie novel.”
In addition to claiming the coveted titles of Best Film and Best British Film, Conclave secured accolades for